Reggae Riddims – The Foundation of Reggae Music

Reggae Riddims – The Foundation of Reggae Music



What is a reggae “riddim?”


“Riddim” is the Jamaican Patois expression for the instrumental “cadence” track of a melody, otherwise called the “groove” or the “beat”. Jamaican famous melodies, and numerous different kinds of Caribbean music, are based on riddims.


Riddims ordinarily comprise of an unmistakable bass line and a specific extraordinary drum design and are really the foundation of name, reggae, darlings’ stone, ragga, roots, dancehall, and so on Numerous riddims start from a hit tune and the sattamataka143 riddim conveys the name of the tune, for instance I-Wayne’s 2004 hit “Magma Ground” on the Lava Ground Riddim. Or then again, at times, the riddim takes the name of the most famous melody recorded on it. For instance, the Satta Massagana Riddim is named after The Abyssinians’ unique melody “Satta Massagana”.


Every so often, an artiste will voice two totally various tunes on the indistinguishable riddim. Also, it’s exceptionally normal for various artistes to voice over the equivalent riddims with various verses and diverse vocal styles, going from singing to toasting. For instance, Jah Cure’s “Approach Me”, Gyptian’s “Butterfly”, and Tanya Stephens’ “Thinking back” are for the most part on 2009’s brilliant Good Love Riddim. The accomplishment of a riddim is decided by the number of artistes “shuffle” it, or make their own vocal understandings of it. Jamaican crowds will judge whether the tune is large and, provided that this is true, different artistes will compose new verses to “ride the riddim”.


There can be in excess of twelve famous current riddims, however there are generally a couple “hot” riddims at some random time. Artistes need to record over these hot riddims assuming they need a superior shot at getting their melodies played in the dancehalls or on the radio. Ordinarily a dance is even made to pay tribute to the riddim, as Pepperseed, or Gully Creeper, or who can fail to remember the world’s quickest man Usain Bolt’s triumph dance, “Nah Linga”?!!


The riddims don’t generally begin from reggae; some metropolitan contemporary tunes might become riddims also. The instrumental of Ne-Yo’s “Miss Independent” has turned into a famous riddim; numerous dancehall craftsmen have recorded melodies utilizing the track. Different tunes have enlivened riddims as well, like George Michael’s tune “Confidence,” which turned into a riddim of a similar name, and R. Kelly’s “Snake,” which turned into the Baghdad Riddim.


Kinds of riddims


Riddims are African in beginning and are by and large one of three kinds. The most seasoned, the “traditional” riddim, gives the instrumentals to name, roots reggae and sweethearts’ stone (notable makers incorporate Sly and Robbie). The “ragga” riddim backs (or used to back) raggamuffin and dancehall tunes. Furthermore, “advanced” riddims (e.g., King Jammy’s Sleng Teng Riddim) are made with PCs, synthesizers and drum machines; all in all, they are truly electronic riddims.


The appearance of innovation changed the whole business. Presently don’t do you need to pay for studio time and recruit performers! This opened up the business to an entirely different age of makers, artists and entertainers. Today, most riddims backing dancehall and Soca are advanced. Advanced riddims, alongside the worldwide reach and prominence of dancehall, have likewise produced the formation of increasingly more well known riddims outside Jamaica.




“Forming” is the term for reusing or reviving old riddims utilizing PCs and samplers, and voicing over them with new artistes. Jamaica has been forming since the 1960s. A portion of these riddims are many years old, a significant number of them emerging from Clement “Coxsone” Dodd’s famous Kingston studio, Studio One. Some extraordinary riddims emerged from Studio One during the ’60s and ’70s, and you will in any case hear them formed in consistent turn by strong frameworks today.

Leave a Comment